micgos的部落格

From circumstance to time, even well-thought-of journals run yet other shocking narration just about a 'new' baptism of the female in the world's known painting, reproduced in all conceivable written way. Do you ever conjecture why these stories are published? You likely allotment my own inference at the answer: media moguls know we are hypnotised by important person. Celebrity stories sell! And 'Mona Lisa' has been a renown for substantially longer than even Princess Diana.

The original examination of the infamous picture was scripted by the world's primary art critic, Giorgio Vasari, who was whelped at Arezzo on 30th July, 1511 and died at Florence in 27th June, 1574. In his own time, Vasari was dominant as a painter, beneath the championship of the furious Medici kinfolk. Familiar near all the foremost Florentine artists, he was a supporter and friend of Lionardo (Leonardo) da Vinci (1452 - 1519) - the grave watercolourist who made the painting notable by zillions as the Mona Lisa or La Gioconda.

On the bookshelves of my work is a battered but treasured impression of 'The Lives of the Painters, Sculptors and Architects' Volume Two, published in London in 1927 (long earlier I was born, I should add.) That impression was traced from the innovative scrap book self-published by Vasari in 1550 and re-published in an extended, illustrated printing in 1568.

The small-scale cloth-covered sticker album was the prototypical acquisition ready-made from my first bank check as a youthful apprentice Display Artist. So you can see that the inside information of the sculpture have been masses ease for a tremendously perennial example.

Vasari tells us that in 1503, Francesco del Giocondo, a fabric merchandiser of Florence, commissioned a picture of his boyish married woman Lisa Gherardini. At that time, an Italian woman was politely addressed as 'Mona' (short for 'Madonna' connotation 'My Lady.')

Leonardo began the toil in superb religion but, in his mournfully decipherable pattern, former to present it. He is famed to have worked on the reproduction for iv years, fetching it beside him as he cosmopolitan concerning Florence and Rome, from Italy to France, emotional by the strain of embassy actions.

In his sixties, the serious artist entered the resource of the babyish French king Francis 1, who fumed him with hot comradeship and elevated honor. He inactive had next to him the unsanded portrait of Lisa and is believed to have constant practical on it until shortly previously he died.

It is on a diminutive lumber sheet 77 x 53 cms or give or take a few 30 x 21 inches, so it would be slickly swarming. Also beside him was his committed educatee Francesco Melzi, who became receiver to Leonardo's property. After his death, the graphic art became the tenure of the monarch who had befriended him. It is command for the ancestors of France by the Louvre depository in Paris.© Dorothy Gauvin